We’ve
all heard the old saying “crime does not pay” but I’ll argue
that in fact it did pay… well at least for the comic book industry.
From 1942 until the advent of the CCA, the crime genre was a popular
and profitable milieu that publishers exploited to the max. This
series will be a platform for me to present you some of my favorite
tales from the idiom.
This
trend goes back to July of 1942 with the issuance of CRIME DOES NOT
PAY issue 22. This comic magazine was published by Lev Gleason
Publications and was the brainchild of writer Bob Wood and cartoonist
Charles Biro. Perhaps it’s apocryphal but according to one version
that I’ve heard the pair were at a New York City bar trying to come
up for a new title for Gleason. While there they were approached by a
man who offered them the "services" of a woman, that he had
in a room above the bar. The pair declined the offer but later on
they saw the man's picture in the newspaper and read that the police
found a female kidnap victim at the building. Allegedly the crime
inspired them to create the CDNP. A more sedate account maintains the
bar setting but that the concept grew out of a general discussion of
gangsters and law-breaking. Whatever the true account was, Gleason
gave his okay to launch the new book.
If
we accept CDNP 22 as the first crime comic, then the honor of drawing
the very first crime story published goes to Harry Lucey. It was
simply the luck of the draw that made his story the lead one in that
historic issue. But I find the idea of a cartoonist so closely
associated with the wholesome Archie series being the lead man in a
such shocking and sensational milieu to be a deliciously perverse
one. Here is “The Real Story Behind Lepke, Mad Dog Of The
Underworld”.
Pat
Pat
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