Man, where
to start on this. The writer shows us clearly that the Greeks hold a
particular special place in the affection of these immortals, yet he
uniformly uses the Roman names of the gods. By all rights the strip
should have been called “Artemus the Huntress”. Then these beings
have no difficulty with the fact that they are no longer being
worshiped, as our heroine’s first act is to recover a Christian
Icon for a Greek Orthodox priest! I love that our goddess is a no
nonsense kinda gal, as she expertly shoots the Nazi general in the
heart.
Although
Dianna’s run was relatively short, the penciling chores were
divided among 4 different men. Gus Schrotter, a talent whose style
was very much in sync with H. G. Paters, drew the story you just read
and her second adventure. Peters was the longtime artist on Wonder
Woman.
The next
man on the drawing board was Leo Morey and he racked up the most
pages by illustrating issues 3 through 6. He had a more classically
illustrative style. Here is an example of his work on issue number 3.
The final
Diana artist was Ken Battefield, who was the primary artist on the
title’s lead character “Yellowjacket”.
The third
artist was most remarkable for his inability to draw! Burton Geller
under took three of Diana’s stories and I’m giving you what I
consider his nader. It’s from YELLOWJACKET COMICS #9 in April 1946.
Pat
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