I cited John Wetton's wonderful voice so let
me provide you with a couple examples on “The Great Deceiver” and
“Easy Money”:
The band used, what to me, was a
curious strategy in divining their set lists. If for example, you
went to a Yes or a Who concert and you fell in love with a song
during the show, odds were you could go out the next day and by a
record containing said song. Not necessarily so with Crimso. First
off, 25 to 40 percent of what they played was improvisational and
unique to the event. Add to this the fact that the band liked to hone
out material on stage, so that song you were diggin’ on may not
have even been recorded yet. The most notorious example of this is
the song “Doctor Diamond”. It’s a fully realized tune with
lyrics and appeared in the set as early as 1973. It was a regular
part of the shows during the final days of the band, yet they never
laid it down in the studio. Here is a 73 version:
Another curiosity is from 1972. It’s
a snippet from the end of a longer improv, where the guys found a
particularly intriguing riff. I have listened to many shows from this
era but I’ve never heard it repeated. But two years later they
remembered it and incorporated it into the ending of “Fallen Angel”
on their swansong album “Red”.
Just last week I stumbled upon something that has
absolutely blown my mind. It’s a track from a 1974 Italian show and
is titled “Guts On My Side”. Like “Doctor Diamond” it is a
completely composed song with elaborate lyrics and also one that they
never commercially recorded. Hell, this may have been the only time
it was played at all!
Discography
Studio:
Larks Tongues In
Aspic (released March 23, 1973)
Starless And
Bible Black (released March 29, 1974)
Red (released
October 5, 1974)
Live:
USA
The Nightwatch
The Great
Deceiver (Boxed Set)
Additionally
shows have also appeared in editions of the
Mail order “King
Crimson Collector Series” of releases.
Pat
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