After
studying art at Pratt
Institute, Powell, like many comics artists in the late 1930's, found
work at the Eisner & Iger Studios one of the most prominent
"packagers" who supplied complete comic books to
publishers. As part of the studio, Powell drew many of the earliest
adventures of the jungle-queen Sheena in Jumbo Comics. Later, after
Will Eisner
split off to form his own studio in an arrangement with Quality
publisher Everett “Busy” Arnold he brought Powell, Nick Cardy and Lou Fine with him.
Powell's work in the
1950's included features and covers for Street and Smith's Shadow
Comics, Magazine Enterprises Bobby Bensons Bar B Que Riders and and
all four issues of that publisher's Strong Man; and, for Harvey
Comics many war, romance, and horror stories, as well as work for
the comics Man in Black, Adventures in 3-D and True 3-D.
In
1961, Powell became art
director for Sick magazine working there until his death. On a
freelance basis, he worked on Topp's 1962 Mars Atacks trading cards,
doing the final pencil art based on early pencils roughs by Wally
Wood, Norman Saunders then did the final painted art. During the 1960's Powell
drew a handful of stories featuring the Daredevil,
Giant-Man, the Hulk and the Human
Torch for Marvel Comics.
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